«AUXILIARY NOTE»に関連する英語の本
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1
Harmony: Its Theory and Practice
It was said in § 307 that the auxiliary note below a major third might be either a
tone or a semitone below it. If, however, the fifth of the chord have also an
auxiliary note below it, which will be at the distance of a semitone, the auxiliary
note of ...
2
Piano Playing: With Piano Questions Answered
For extended trills the use of three fingers is advantageous, while in shorter trills
two fingers will preserve more clarity. Position of Auxiliary Note in a Trill In the
accompanying example of the trill should the auxiliary note be a tone or a half-
tone ...
An auxiliary note is an unessential note lying between two statements of the
some harmony note. from which it is distant one step, either above or below. Ex.
186. (a) A (6) (c) It may be accented, as at {a}. or unacoented, as at {b} and {c}. 2.
4
New Method for the Double Bass
If the Turn ¡s to begin with the Upper Auxiliary note its execution is designated by
the sign ел and know nasa "Turn from Above." If it begins with the Lower Auxiliary
note it is designated by the sign счг and known asa "Turn from Below.
Franz Simandl, Frederick Zimmermann, 1904
5
There's a Place for Us: The Musical Theatre Works of Leonard ...
This is a similar harmonic context as its appearance in 'Duet for One' as the
opening of the main waltz theme of Lucy Hayes. The second motif that is
employed in 1600 is a lower auxiliary note figure, using a semitone step; this is
reminiscent of ...
The trill is an even, rapid alternation of the principal note with an auxiliary note.
The auxiliary note is a diatonic half-step or whole step (next scale degree) above
the principal note, depending upon the Key. When the trill sign appears over a ...
Clark, Mary Elizabeth, David Glover
7
Masters of the Keyboard: Individual Style Elements in the ...
More generally, the auxiliary note is always in the implied tonality and does not
necessarily correspond to the key signature. The trill in "The Gigue of the Sixth
English Suite, a wild and deliberately dissonant piece, offers a few puzzles. In Ex.
7 ...
8
The Follow-Up Recorder Book A Technique Book for Advanced ...
In the 17th and 1 8th centuries the player started with the auxiliary note. Whether
a semitone or whole tone is required depends on the context. Indications for this
are sometimes given. ; Equals 4. Trill (Shake). A trill (tr) is a (more or less) rapid ...
9
Ornamentation in Baroque and Post-baroque Music: With ...
... "it should be noticed that the eighteenth century trill, beginning upon the upper
auxiliary note, has an appoggiatura character in the accentuation of the
dissonance which gives it quite a different sense from the modern trill, which
begins on.
10
Hector Berlioz, Les Troyens: Edited by Ian Kemp
between, is the texture of Ex. 10.9 from bar 53; Dido's bass owes something to
the 'secret thought' melody but, like Cassandra's, it is formed from an up-beat
scale and dotted auxiliary note (melodic images A and B). Since she refers to the
...
