MELAYU BUKU YANG BERKAIT DENGAN «GETAS-GETAS»
Ketahui penggunaan
getas-getas dalam pilihan bibliografi berikut. Buku yang berkait dengan
getas-getas dan ekstrak ringkas dari yang sama untuk menyediakan konteks penggunaannya dalam kesusasteraan Melayu.
1
The Plays and Fragments - Halaman 208
DAOS. You're talking rubbish. No, I've had a blow Which is quite unexpected, and I am Confounded, Getas. GETAS. How, you blasted fool? DAOS. For heaven's sake, don't curse a lover, friend. GETAS. What's that? Are you in love? DAOS.
Menander, M. G. Balme, 2002
2
Greek and Roman Comedy: Translations and ...
sostratos: Getas! getas: Who's calling me? sostratos: lam. getas: And who are you? sostratos: Don't you see me? getas: I see. It's my master. sostratos: What are you doing here? Tell me. getas : What am I doing? We've just sacrificed and we're ...
3
The Greek Sense of Theatre: Tragedy and Comedy - Halaman 152
The sun was baking. (523–25 and 533–35) When another slave Getas comes out of the house he doesn't immediately recognize his master: SOSTRATUS: Hey, Getas. GETAS: Now who wants me? SOSTRATUS: I do. GETAS: Who are you, ...
4
FM 2014: Formal Methods: 19th International Symposium, ...
As a simple example1, consider a forward function getAs that selects from a source list all the elements that are tagged with A: getAs [] =[] getAs (A a : ss) = a : getAs ss getAs (B b : ss) = getAs ss and a corresponding putback function putAs that ...
Cliff Jones, Pekka Pihlajasaari, Jun Sun, 2014
5
Plautus in Performance: The Theatre of the Mind - Halaman 32
The scene takes place between Daos, the servus amans, and his fellow slave Getas. Getas' opening speech describes Daos' clear symptoms of distress: he has an expression of despair, is beating his head, tearing out his hair, and groaning ...
6
Bridges to the Ancestors: Music, Myth, And Cultural ... - Halaman 56
With the exception of Banjar Getas, no local figures are given positive images or credited with any positive action (Getas is not a respected figure among most Sasak). Thus Blam- bangan's version follows the same structure as Ngurah's.
7
Studies in Menander - Halaman 19
338).” He asks Getas for a sword to commit suicide and is furious when Getas refuses him; he sends gifts to Krateia and she will not accept them. Like Polemon, he has left his own house and is living in a friend's house, using Getas as a scout.
Thomas Bertram Lonsdale Webster, 1950
8
Menander: The Grouch, Desperately Seeking Justice, ...
The Grouch, Desperately Seeking Justice, Closely Cropped Locks, The Girl from Samos, The Shield David R. Slavitt, Smith Palmer Bovie. GETAS Hey man, don't beat on me. SIKON Tell me anyway, Getas, who? 510 GETAS My mistress.
David R. Slavitt, Smith Palmer Bovie, 1998
9
An Introduction to Menander - Halaman 84
Simike's five-line monologue gives time for one of them to change and come on as Getas at 879; the other comes on as Sikon at 890; here the actors go into and come out of the same Nymphaion door so that a very quick change is possible.
Thomas Bertram Lonsdale Webster, 1974
10
Three classical comedies - Halaman 59
[Enter Getas.] Getas: I'll go and look and see if he's in need of any care. [Flute.] It's no good playing to me, you ass ! I've got no time to spare. Shut up ! I'm on an errand, to see the invalid over there. Simice: And please get some one else as well ...
Menander (of Athens.), Titus Maccius Plautus, 1967
