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1
The Reception of Laurence Sterne in Europe - Pagina 176
outside as the inside, and vice versa, producing a lasting dislocation of Matoš's speaking positions. His travelogue, entitled simply 'Pariz, u jesen 1902' (Paris, the autumn of 1902), proposes an imaginary dialogue with a German-speaking ...
Peter de Voogd, John Neubauer,
2008
2
Worldwide Pre-Raphaelitism: Critical Theory, Popular ... - Pagina 116
Antun Gustav Matoš, "Dojmovi sa pariške izložbe" in Djela. Knjiga VI (Zagreb: Binoza, 1938), 140. 36. Antun Gustav Matoš, "Izložbene impresije. Treća jugoslavenska umjetnička izložba saveza 'Lađe' u Zagrebu" in Djela. Knjiga XVI (Zagreb: ...
3
Modernism: Representations of National Culture - Pagina 289
Matoš refused both the notion of “autonomous folk spirit,” as well as the ethnic idea of the nation. Hence, he rejected the concept of Croat–Serb national oneness, grounded in the idea of the linguistic and ethnic sameness of the South Slavs.
Ahmet Ersoy, Maciej Górny, Vangelis Kechriotis,
2010
4
The Viennese Cafe and Fin-de-Siecle Culture - Pagina 134
Matoš' writings frequently display a deep concern about the limitations of the life of the Zagreb and the underdeveloped nature of Croatian society. His concerns highlight the fact that the Zagrebian writers and coffeehouses we have been ...
Charlotte Ashby, Tag Gronberg, Simon Shaw-Miller,
2013
5
Balkan Departures: Travel Writing from Southeastern Europe
However, it would seem that in the initial years of the formation of modernist culture, travel writing practice remains occluded. A.G. Matoˇs, for instance, as an important literary intermediary between late Romanticism and the modern tendencies ...
Wendy Bracewell, Alex Drace-Francis,
2013
6
Poe Abroad: Influence Reputation Affinities - Pagina 201
Matoš gleaned details of Poe's biography and became acquainted with Poe's tales through his reading in German and French. Comments in his fifteen “Notebooks,” amounting to about 1,500 typewritten pages, reveal that he had read German ...