KSIĄŻKI POWIĄZANE ZE SŁOWEM «TÁLĂ»
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This book was a reverberative crescendo, a roar and clamour of genres and fictions for the multipled "I" in a time of unspeakable catastrophes: m-Tala.
On the rhythmic notations (tāla) for the Manipuri drum (pung), instrumental accompaniment to Vaishnavite dances and songs.
Darśanā̄ Jhaverī, Kalāvatī Devī, 1990
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Riddle of Indian iconograhy: zetetic on rare icon from Tālā
The Present Book Is A Result Of A Postal Seminar Which The Editor Organised. Apart From Tala Loon, This Book Also Throws Light On The History And Art Tradition Of Daksina Kosala, Presently Known As Chattisgarh.
This book was a reverberative crescendo, a roar and clamour of genres and fictions for the multipled "I" in a time of unspeakable catastrophes: m-Talá. "People have said m-Talá is an unpronouncable, untranslatable cry.
Chus Pato, Erin Mouré, 2003
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A Comparative Dictionary of the Indo-Aryan Languages - Pagina 326
5731 tala- n. 'base, bottom' Mn., 'surface, flat roof MBh., (in cmpd. with 'hand' or 'foot', later alone) 'palm, sole' n. (later m.) MBh. 2. «talla-2 (< -talya-?). [Cf. •tara-3 ?] i. Pa. Pk. tala- n. 'level, ground, surface, bottom, palm, sole' ; D. гл/ m. 'ceiling' ...
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Solkattu Manual: An Introduction to the Rhythmic Language ... - Pagina 7
While the thirty-five-tāḷa scheme is preeminent in writings on Karnatak music, modern performance practice tells a different story. Ādi tāḷa is the only one of the four most commonly performed tāḷas that is represented among the thirty-five.
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Installations and Experimental Printmaking
An exploration of brand new experimental forms of printmaking which are pushing the traditional boundaries of this technique in contemporary art.
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The Theory of Citrasutras in Indian Painting: A Critical ...
Figure 4.7 Kinnara in madhyama tri tāla measurement (Rao 1920, plate XIIIb). Rao's study on tālamāna is even more confusing if we look at some of his drawings. Figure 4.6, according to Rao, represents a pañca tāla. The figure however ...
Days Before 16 is a collection of poems that the author wrote before she turned sixteen years old.
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Permutative genius in tala ( ̃prastara) in Indian music
On musical meter and rhythm, Karnatic style.
Ākeḷla Mallikārjuna Śarma, Telugu University (Hyderabad, India), 1992
