KSIĄŻKI POWIĄZANE ZE SŁOWEM «TRIPLÁ»
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Meter in Music, 1600-1800: Performance, Perception, and ... - Pagina 21
1S The tactus maequalis is divided into majore $3/2, called "proportio tripla," and mr«oreC3/2, called "proportio sesquialtera." In the works of "Orlando [di Lasso], Marentio, Fel. Anerio & aliis," the signs for "proportio tripla" include 3+, 3/1, ^3, ...
2
Tactus , Mensuration and Rhythm in Renaissance Music - Pagina 204
Cum Tripla ad Hemioliam, in celeritatis ratione sit dupla. At Trochaicae, et alia mensura, et alia canendi formula, longe a Tripla atque ab Hemiolia distincta.64 triple ratio requires, but moves in equal values in the four voices. I prefer to call it ...
3
A plain and easy introduction to practical music ...: ... - Pagina 60
The first change which commeth after the proportion of equalitie, is commonly called fextupla, or fixe to one, signified by the more prolation, retorted thus: -xx/* E But, if we confider rightly, that which we call sextupla, is - -| öút true tripla, wrotein ...
4
Beating Time and Measuring Music in the Early Modern Era - Pagina 73
The Allemande and Tripla from this volume's first set of dances are reproduced below as example 3.2. Dotted barlines are added to this example for ease of reading. Each “measure” is equivalent to one full tactus. These two pieces are nearly ...
5
Syntagma Musicum III - Volumul 3 - Pagina 48
CHAPTER ll Concerning the Coloration and Perfection of Notes in Tripla and Sesquiallera How the Singing of Tripla and Sesquiallera Proportions May Be Better and More Conveniently Shown consider it worth the effort to color the breve in ...
Michael Praetorius, Jeffery T. Kite-Powell, 2004
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Pappi Alexandrini Mathematicae collectiones a Federico ... - Pagina 163
Pnopo'si'rlo rxi-venim ' ' v -' "И м') Sit {emicirculus ABC cuius centrum Е: fitque Ac tripla cn: at {рыке ad reâos angulos DB2 8a AB, B с iungantur, crit AG ilzífiusA cn Poteßa.- A te tripla,vt enim A c ad CD, ita quadratum cx AC ad quadratam ex св ...
Pappus : Alexandrinus, Federico Commandino, David il giovane Teniers, 1660
7
A Compendium of Practical Music in Five Parts: Teaching, ...
Teaching, by a New and Easie Method, 1. The Rudiments of Song. 2. The Principles of Composition. 3. The Use of Discords. 4. The Form of Figurate Descant. 5. The Contrivance of Canon Christopher Simpson. f i o. Of Tripla Time. TXT THen ...
Christopher Simpson, 1667
8
Book on Music - Pagina 207
Alternatively, species of this genus, that is, the multiple super- 3 particular, are stated in another mode:93 tripla ad sesquialteram, tripla ad sesquitertiam, tripla ad sesquiquartam, tripla ad sesquiquintam, and so on. Tripla ad sesquialteram is ...
Florentius (de Faxolis.), Bonnie J. Blackburn, Leofranc Holford-Strevens, 2010
9
A new Musical Grammar: or, the Harmonical Spectator, ... - Pagina 29
2 Of Tripla-Time. Scholar. Sir, As yos have given me a clear Defcription of what you call Binary Measure, or Common-Time, both in word, and examplary Notes; I now destre, you'll relate to me the Nature of Trenary Measure, and why it is fo ...
10
Roger North's The Musicall Grammarian 1728 - Pagina 132
emphasis the J"J3 made a dactyle as true as the tripla J. J^ J an<^ maY be so Proved upon the first vers of Virgill. '°4 This hath made me suspect that if the cheif pulses of the sound, as those they call barrs, (or when shorter are used as f.34v ...
Roger North, Mary Chan, Jamie Kassler, 2006
