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1
Pantologia: a new cabinet cyclopaedia, comprehending a ...
Seven of these have been already described, among the diatonic intervals ; the
remaining five form another species of intervals, called extreme or chromatic. Of
these, the chromatic semitone, the extreme sharp second, flat third, and flat fourth
, ...
2
Pantologia: A New Cyclopaedia, Comprehending a Complete ...
The chromatic semitone is the distance or interval between any note, and that
same note elevated by a sharp, or depressed by a flat. This semitone was termed
by the Pythagoreans apotnmc, and the diatonic semitone was termed limma.
John Mason Good, Olinthus Gregory, Newton Bosworth, 1813
3
Pantologia. A new (cabinet) cyclopædia, by J.M. Good, O. ...
Seven of these have been already described, among the diatonic intervals ; the
remaining five form another species of intervals, called extreme or chromatic. Of
these, the chromatic semitone, the extreme sharp second, flat third, and flat fourth
...
John Mason Good, Olinthus Gilbert Gregory, 1819
4
A dictionary of science, literature and art
First, the chromatic semitone is the interval between any note and the mime
depressed by n flat or raised by a sharp. Second, the extreme sharp second,
which onsirts of a tone and a chromatic semitone, being composed of fwo
degrees. Third ...
William Thomas Brande, Joseph Cauvin, 1845
5
Grammar of vocal music, founded on the Method of Wilhem. ...
John Pyke Hullah, Guillaume Louis Bocquillon-Wilhem. Chapter XXXIII.
SECONDS— continued. Prepare Large Sheets Nos. 14 and 17. THE
CHROMATIC SEMITONE. 1. The chromatic semitone is the interval between any
given note, and that ...
John Pyke Hullah, Guillaume Louis Bocquillon-Wilhem, 1843
6
A Dictionary of Science, Literature, & Art: Comprising the ...
Second, the extreme »harp second, which consists of a tone and a chromatic
semitone, being composed of two degrees. Third, the extreme flat third, which
contains two diatonic semitones, consisting of three degrees ; or it is the minor
third ...
William Thomas Brande, 1842
7
A New Theory of Chromaticism from the Late Sixteenth to the ...
This explains why a chromatic circle-of-fifths progression such as the one in
example 14 will never contain a true chromatic semitone.65 Example 16b
presents the opposite side of the coin. Here the soprano semitone is clearly
chromatic, ...
8
Chromatic Transformations in Nineteenth-Century Music
For this reason it is quite logical that the progressive development of musical
culture through different times has evolved from the plain diatonic to the
chromatic; that is, it has learned to make use of the chromatic semitone along
with the ...
9
The Edinburgh encyclopedia
Chromatic Semitone. Minor or perfect fourth 1 T, 1 1, t S Major or perfect fifth 2 T,
1 t, 1 S Major fourth 2 T, 1 t . . . Minor fifth I T, 1 r, 2 S 242. The smallest interval
used in the above table is the diatonic semitone; but there are smaller intervals ...
10
Edinburgh encyclopedia: conducted by David Brewster, with ...
Chromatic Semitone. ; Minor or perfect fourth 1 T, 1 t, 1 S Major or perfect fifth . . 2
T, 1 t, 1 S ! Major fourth . 2 T, 1 t . . . ! Minor fifth . . . ' 1 T, 1 t, 2 S 242. The smallest
interval used in the above table is the diatonic semitone ; but there are smaller ...
