CĂRȚI ÎN ENGLEZĂ ÎN LEGĂTURĂ CU «FREE-SPOKENLY»
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1
Cassell's illustrated Shakespeare. The plays of Shakespeare, ...
"Round" is here used for 'roundly,' in the sense of ' frankly,' * bluntly,' ' free-
spokenly,' ' straightforwardly.' 48. Out 0/ thy star. " Star " is here used in the sense
of ' sphere,' ' rank of life,' ' appointed destiny or course of fortune.' See Note 106,
Act ...
William Shakespeare, Charles Cowden Clarke, 1864
2
A commentary on the Holy Scriptures: Crit., doctrinal and ...
But . . . . plainly—openly—without concealment—with freedom of speech—free—
spokenly (nablnlcia). As a substantive, nablmtn'a is sometimes subjective (perfect
frankness), sometimes objective (perfect openness and freedom from ...
3
The Plays of William Shakespeare
"Round" is here used for 'roundly,' , in the sense of 'frankly,' 'bluntly,' 'free-
spokenly,' 'straight- I. forwardly.' 48. Out q/My .5-fur. “Star” is here used in the
sense of ' sphere,' ' rank of life,' ' appointed destiny or coulse of fortune.' See Note
106, Act ...
William Shakespeare, Charles Cowden Clarke, Mary Cowden Clarke
4
Better in the Darkness: A Biography of Henry Adams , His ...
In a diary he was keeping for later sending to his absent wife, he noted free-
spokenly: "Went in the evening in torrents of rain to the meeting of revenue
reformers. There were about forty present. It was very successful. . . . The two
Adamses ...
5
Work; friendship; worship: 3 sermons
If we will look upon our work as a space in Qod's will allowed to us, then we shall
sometimes marvel with St Paul that we have been allowed it; sometimes we shall
feel as if we had a right, as he says, " free-spokenly " to claim an assurance of ...
Edward White Benson (abp. of Canterbury.), 1872
6
A Commentary on the Holy Scriptures: Numbers
But .... plainly — openly — without concealment — with freedom of speech — free
-spokenly (it a p pqo ia). As a substantive, Trappr/oia is sometimes subjective (
perfect frankness), sometimes objective (perfect openness and freedom from ...
Johann Peter Lange, Philip Schaff, 1900
