CE ÎNSEAMNĂ CENGKOK ÎN MALAEZĂ?
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Definiția cengkok în dicționarul Malaeză
îndoit îndoit; ~ -Browse îndoiți. maimuță maimuță II, maimuță; Cengkuk. centgol îndoit. ambreiajul ambreiajelor. cengkok I bengkok; ~-beledok bengkang-bengkok.
cengkok II sj kera, cigak; cengkuk. cengkol bengkok. cengkolong ark cengkelong.
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CĂRȚI ÎN MALAEZĂ ÎN LEGĂTURĂ CU «CENGKOK»
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cengkok în următoarea selecție bibliografică. Cărți în legătură cu
cengkok și extrase din aceasta pentru a furniza contextul de întrebuințare al acestuia în literatura Malaeză.
1
In the Course of Performance: Studies in the World of ... - Halaman 75
Javanese musicians often describe the process of garapan as the fitting of appropriate cengkok to the skeletal melody — or to the implicit melodic model — of a piece. Musicians understand the term cengkok in several senses.
Bruno Nettl, Melinda Russell, 1998
2
Unplayed Melodies: Javanese Gamelan and the Genesis of ...
Several examples of this can be found in Perlman (1994:555-77): for example, the overlapping senses of wiletan and sekaran for some speakers, or of luk and cengkok. For an example of historical change in terminology, note that in ...
3
Gamelan Gong Kebyar: The Art of Twentieth-Century ...
usually described as a gendhing's melodic framework and the basis for deriving cengkok patterns, as played on the single-octave metallophones slenthem and saron. When notation was first introduced, the slenthem and saron parts were ...
4
Heavenly nymphs and earthly delights: Javanese female ...
cengkok is almost the same as those of K. R. T. Wasitodipuro and Nyi Tukinem. For the fourth cengkok, each musician chose different, but standard cengkok, with Gitosaprodjo using the simplest treatment For the fifth cengkok Nyi Tukinem ...
5
Mode in Javanese Music - Halaman 28
Furthermore he refers to pathet manyura cengkok as wilet dasar, or "basic melodies" (1970a: 13). Speculations about why pathet manyura can be considered the "basic" pathet for sindhenan will be discussed later. Principle II. Gendhing in ...
6
Lagu, laras, layang: rethinking melody in Javanese music
In order to explore further the dimensions of the word cengkok, we must discuss the relationship of the concept of cengkok to the process of wllSt(-an). Vllgt is also cengkok. in the sense that cengkok Is a part of wilgt — hut wilSt is more. WilSt is ...
Martin Fellows Hatch, 1980
7
Ensiklopedi musik Indonesia - Jilid 1 - Halaman 84
84 dawai ditekan dengan penuh seksama ujung-ujung jari mencahari wilet dan cengkok dalam nada-nada bergerak cepat hilir mudiknya tangan melengkungkan dawai sekali-sekali nada menyebal menambah pula keindahannya. Dalam ...
Proyek Inventarisasi dan Dokumentasi Kebudayaan Daerah (Indonesia), 1985
8
A Gamelan Manual: A Player's Guide to the Central ...
However, this last cengkok, as is often the case, does not indicate the register of the inner melody or the balungan very clearly. In spite of its two-octave range, the gender therefore gives less obvious information on the register than the rebab, ...
9
Serat kandha karawitan Jawi: mengenal seni karawitan Jawa
5.2.3 Jenis cengkok Jika ditinjau dari segi proses pembuatannya, maka cengkok bisa dikategorikan menjadi dua jenis, yaitu: a. Cengkok pakem, sering juga disebut cengkok babon, babonan, atau baku (melodi baku, Inggris: Standard ...
10
Karawitan: Source Readings in Javanese Gamelan and ...
The series of notes and intervals (sruti) used in this manner are called "cengkok." In principle, one phrase contains one cengkok. One antecedent-consequent also comprises one cengkok. Thus, one gongan may also be called a cengkok.
Judith O. Becker, Alan H. Feinstein, 1984
