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1
Patrick McGrath - Сторінка 134
For a detailed reading of this story see Horner and Zlosnik, Gothic and the Comic Turn (pp. 150–3). The historical Max Nordau was not a psychiatrist. In Degeneration (1892; published in England in 1895), a very influential book in its time, ...
2
Gothic and the Comic Turn
Tracing an historical trajectory from the late Romantic period through to the present day, this book examines how varieties of comic parody and appropriation have interrogated the complexities of modern subjectivity.
Avril Horner, Sue Zlosnik,
2005
3
Relations: Ethics and the Modernist Subject in James ... - Сторінка 156
Moreover, Horner and Zlosnik argue that Barnes, by inscribing the Gothic in her text, expresses 'the essentially fissured nature of modern subjectivity,' a nature that is passed on to the narrative itself, as it 'deflects definitive readings and resists ...
4
Technologies of the Gothic in Literature and Culture: ... - Сторінка 140
According to Zlosnik, In two of his novels (Asylum and Trauma) McGrath makes psychiatry... thematic, pointing to its ambiguous status as a mastering discourse. Indeed medicine itself is represented Gothically in McGrath's fiction; the doctor in ...
5
Film Landscapes: Cinema, Environment and Visual Culture
Though there have been a number of psychoanalytical perspectives on the trilogy (Hall, 2006; Manners, 2006; Nagy, 2006; Zlosnik, 2005) few correlate the landscape with subjectivity or abjection. One exception is Michael Leyshon and ...
Jonathan Rayner, Graham Harper,
2014
6
Daphne Du Maurier: Writing, Identity and the Gothic ...
This book is the first full-length evaluation of du Maurier's fiction and the first critical study of du Maurier as a Gothic writer.
Avril Horner, Sue Zlosnik,
1998
7
Gothic Crossings: Medieval to Postmodern - Сторінка 377
Velie's observation of the gothic humor finds its support in the work of Avril Horner and Sue Zlosnik. In Gothic and the Comic Turn, Horner and Zlosnik state that the comic dimension of the gothic has been, to a large degree, overlooked by ...
Ming-Tsang Yang(楊明蒼)、Wesley Xi(奚永慧)、She-Ru Kao(高瑟濡)、Pao-Hsiang Wang(王寶祥)、Ya-feng Wu(吳雅鳳)、Min-tser Lin(林明澤)、Eva Yin-I Chen(陳音頤)、Su-ching Huang(黃素卿)、Iping Liang(梁一萍)、Han-yu Huang(黃涵榆)(Introduction by David Punter),
2011
8
Iris Murdoch: Texts and Contexts - Сторінка ii
GOTHIC AND THE COMIC TURN (with Sue Zlosnik) IRIS MURDOCH AND MORALITY (with Anne Rowe) LANDSCAPES OF DESIRE: Metaphors in Modern Women's Fiction (with Sue Zlosnik) LE GOTHIC: Influences and Appropriations in ...
Anne Rowe, Avril Horner,
2012
9
Aldous Huxley - Сторінка 128
Further, “the masks of the carnival bring about temporary freedom and dislocation from cultural hierarchies” (Horner and Zlosnik 159). These masks, with an aperture for the outthrust, ridiculing tongue, oppose and overturn the sorts of masks ...
Harold Bloom, Sterling Professor of the Humanities Harold Bloom,
2010
10
Apocalyptic Discourse in Contemporary Culture: ...
4. The. Apocalyptic. Sublime. Then. and. Now. Avril. Horner. and. Sue. Zlosnik. ®Everyone. expects to be in at the end of something. What no one expects is to be in at the end of everything ̄ (225), reflects Makepeace Hatfield, one of a handful ...
Monica Germana, Aris Mousoutzanis,
2014