10 LIVROS EM POLONÊS RELACIONADOS COM «LUTOSLAWSKI»
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1
Lutosławski and His Music
Since the vicissitudes of cultural life in his native Poland have profoundly affected the composer's career, the book includes detailed accounts of Lutostawski's official censure for 'formalism' in the late 1940s and the leading role he ...
2
Witold Lutosławski: A Bio-bibliography
Explores Witold Lutoslawski's work and includes a catalogue of works and performances, bibliography, discography, and brief biographical sketch.
Stanisław Będkowski, Stanisław Hrabia,
2001
3
Lutosławski Studies - Strona 152
Motivic Construction Lutoslawski inherited habits of close motivic thinking from the classic-romantic tradition: from Bach, Beethoven, Brahms, Bartok. These habits are clearly in force in the earliest works: Symphonic Variations, piano studies, ...
4
The Music of Lutosławski
The expanded third edition on the life of one of the greatest musician's of the 20th century. Includes transcripts of many recorded conversations with the composer. Also contains many new photographs.
5
Lutoslawski on Music - Strona 336
"Organizacja wysokości dźwięków w muzyce Witolda Lutosławskiego” [Pitch Organization in the Music of Witold Lutosławski]. Muzyka 1–2 (1995): 41–58. . "Lutosławski's Sound-World: A World Of Contrasts' In Lutosławski Studies, edited by ...
6
Preexistence and Reincarnation 1928
This scarce antiquarian book is a facsimile reprint of the original.
Wincenty Lutoslawski,
2004
7
The Music Of Lutoslawski
Ligeti, György:'Ligeti über Lutosławski', Musica 22 (1968/6), p. 453. [LetterfromLigeti toOweNordwall.] Lissa, Zofia:'Mała SuitaiTryptyk Witolda Lutosławskiego' [The Little Suiteand the (Silesian) Triptych byW.L.], Muzyka3 (1952/5–6), pp.7–56.
While waiting for the coffee to arrive, we would have a “chat” on general subjects; having drunk our coffee, Lutoslawski would ask: – Where did weleaveoff?I would briefly sumup the previous day's talk, and switch onthe tape-recorders; ...
Bálint András Varga,
2012
9
Dance Preludes for Clarinet and Piano
The five movements which form this work are based on folk songs from North Poland, providing a variety of contrasts. This is the original version of the work, composed in 1954, for clarinet and piano.
10
Conversations with Witold Lutoslawski
I feel it is necessary for this collection of conversations with Witold Lutoslawski to be preceded by a few sentences explaining why they do not refer to the entire creative output of this great Polish composer, who died on 7 February 1994, at the ...