与 «CHOLIAMB»相关的波兰语书籍
在以下的参考文献中发现
choliamb的用法。与
choliamb相关的书籍以及同一来源的简短摘要提供其在 波兰语文献中的使用情境。
1
Latin Poetry, Including: Saturnian (Poetry), Avitus of ...
This particular book is a collaboration focused on Latin poetry.More info: Latin poetry was a major part of Latin literature during the height of the Latin language.
2
History of the Graeco-latin Fable: Inventory and ... - Strona 17
210, 220. Anomalous scheme, of situation but with two characters (cf. Vol. I, p. 523). It derives from AnF. 147. It has no derivatives unless we consider AnF. 210, 220. Stemma. XV.: AnF. I, II, III + Branc. In AnF. II we find a choliamb EK Sexrrepou ...
Francisco Rodríguez Adrados, G. J. Van Dijk, 2003
3
Encyclopædia Americana: A Popular Dictionary of Arts, ...
Choliamb (Greek, gwMifijfoc, the lame iambus ; also called skazon, from ?«<£{<□>, to halt ; or versus Hipponacticus, because the satirist Hipponax of Ephesus made use of it, or perhaps invented it). The choli- ambus is an iambic trimeter, the ...
Francis Lieber, Edward Wigglesworth, Thomas Gamaliel Bradford, 1830
4
The Influence of a Stress Accent in Latin Poetry - Strona 8
In the Byzantine Period, the choliamb of Babrius had lost all trace of prosody and had become a verse of twelve syllables in which it was only required that the last ictus coincide with the accent of the word — Ancient choliamb w__v^_w_w_v7 ...
Elizabeth Hickman Du Bois, 1906
5
The Stress Accent in Latin Poetry - Strona 8
In the Byzantine Period, the choliamb of Babrius had lost all trace of prosody and had become a verse of twelve syllables in which it was only required that the last ictus coincide with the accent of the word — Ancient choliamb ^. Choliamb of ...
Elizabeth Hickman Du Bois, 1906
6
Theorie der musischen Künste der Hellenen: Volume 3, ...
In der eigentlich byzantinischen Zeit hat sich dann der Babrianische Choliamb aller Rücksicht auf die Prosodie entäussert, er ist ein rein silbenzählender Vers von 12 prosodisch durchaus gleichgültigen Silben geworden, ganz ähnlich den ...
Rudolf Westphal, Hugo Gleditsch, 2013
7
Polyeideia: The Iambi of Callimachus and the Archaic ... - Strona 82
While the poet admits that he has not journeyed to Ephesus nor mingled with the Ioni- ans, he at the same time composes his poem of self-defense in the Hipponactean choliamb, replete with Hipponactean language and imagery. This is in ...
Benjamin Acosta-Hughes, 2002
8
Fragments of Roman Poetry C.60 BC-AD 20 - Strona 6
It seems that the most characteristic metre of neoteric poets in the 50s was the Phalaecian hendecasyllable, followed by the choliamb (limping iambic). Bibaculus is also said to have written 'iambi' (82), but the precise metre does not ...
9
History of the Graeco-Latin Fable: The fable during the ... - Strona 292
the Axle": eruoxpacpevxeq oi P6eq and oaov to Pdpoq f|Heiq cpepouev, oii xi Kpd^eiq (complete choliamb), compared with variants of I. In this article I also indicate traces of a common semiprosification. This is the case in H. 22 "The Fox and ...
Francisco Rodríguez Adrados, Gert-Jan van Dijk, 2000
10
The Meters of Greek and Latin Poetry - Strona 15
Karam-dg, 51.050va; 8' 'Eptvv'wv ——vuv———-/uuu-— v—u—l/ Under this heading we may add the choliamb, also called the scazon (“limping”). It differs from the ordinary iambic trimeter in that a longum always replaces the last breve.
James W. Halporn, Martin Ostwald, Thomas G. Rosenmeyer, 1980
