WAS BEDEUTET ȚÂȚẤNĂ AUF RUMÄNISCH
Definition von țâțấnă im Wörterbuch Rumänisch
Land, Kauen, F. 1. Halo. \u0026 # X25ca; Expr. (Jemanden) aus der Brust zu entfernen = zu trauern, jemanden zu ärgern, aus dem Nichts zu kommen. Aus seinen Titten herauskommen = Geduld verlieren, wütend werden. 2. Ein Teil, wo die zwei Schalen einer Schale durch ein elastisches Band verbunden sind. 3. (Pop.) Die Wurzel eines Ofens. \u0026 # X2013; Lat. * Titina.
5 BÜCHER, DIE MIT «ȚÂȚẤNĂ» IM ZUSAMMENHANG STEHEN
Entdecke den Gebrauch von
țâțấnă in der folgenden bibliographischen Auswahl. Bücher, die mit
țâțấnă im Zusammenhang stehen und kurze Auszüge derselben, um seinen Gebrauch in der Literatur kontextbezogen darzustellen.
1
History of Maori of Nelson and Marlborough - Pagina 485
Children oflVi Katene Te Pnolio and Tahua Wikitoria Tatana Te Keha The authors have not found any whakapapa, official or whanau, which display any offspring ofWi Katene Te Puoho and Tahua Wikitoria Tatana Te Keha, other than their ...
Hilary Mitchell, Maui John Mitchell,
2007
2
Children of a Dark Sky & Alice - Pagina 60
Tatana whispered into her sister's ear. “He has three unions on three different plateaus. Do you really want to be his fourth?” “Really?” The flyer said, out loud. “I am going to sleep. Gott, you can sleep anywhere you want. Except in my cot.
I turned slowly to the newcomer. Ishani Tatana. The hatch was closing shut behind him as he marched toward us. Beside me, I could almost see Captain Jackson tense at the Council rep's approach. I took a deep breath and tried to stay calm.
Timothy S. Johnston,
2015
4
Between Hope and Despair: Pedagogy and the Remembrance of ...
This is due in part to trauma's distancing and buffering mechanisms, yet also seems to be a more conscious move on Eva's part — ostensibly allowing Tatana and all other possible readers to enter, while keeping the listener/translator's eyes ...
Roger I. Simon, Sharon Rosenberg, Claudia Eppert,
2000
5
The Generation of Postmemory: Writing and Visual Culture ...
The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne ...