CHE SIGNIFICA A VIOLÁ IN RUMENO
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definizione di a violá nel dizionario rumeno
Un VIOLÁ ~ éz tranz. 1) (leggi, impegni, disposizioni) Per disprezzare, commettere un reato; violare 2) (oggetti ben chiusi) Aprire con forza; forzare. 3) (cose o esseri considerati sacri) per obbedire a un sacrilego; di spargimento di sangue; e profan. 4) (femmina) soggetto a stupro; e disonesto; forzare; deridere. [Sil. VI-o] A VIOLÁ ~éz tranz. 1) (legi, angajamente, dispoziții) A nesocoti, comițând o abatere; a încălca. 2) (obiecte bine închise) A deschide cu forța; a forța. 3) (lucruri sau ființe considerate sacre) A supune unui sacrilegiu; a pângări; a profana. 4) (persoane de sex feminin) A supune unui viol; a necinsti; a silui; a batjocori. [Sil. vi-o-]
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vedere la definizione originale di «a violá» nel dizionario rumeno.
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10 LIBRI IN RUMENO ASSOCIATI CON «A VIOLÁ»
Scopri l'uso di
a violá nella seguente selezione bibliografica. Libri associati con
a violá e piccoli estratti per contestualizzare il loro uso nella letteratura.
1
A Viola Da Gamba Miscellanea: Articles from and Inspired ... - Pagina 63
Handel. and. the. Viola. da. Gamba. Richard G. KlNG When Christophe Coin first asked me to give a paper on the subject of Handel and the viol I did not think there would be much to say. However, as I began to explore the topic I realized that ...
Susan Orlando, Ensemble baroque de Limoges, 2005
2
Modern Viola Method Grade 1 - Pagina 82
Whether you buy or rent a viola, it is very important to play on an instrument that is the correct size for you. Many different sized instruments are available to accommodate children's continuing growth. Sometimes, when small violas are not ...
Martin Norgaard, Laurie Scott, 2011
3
The Italian Viola Da Gamba: Proceedings of the ... - Pagina 83
Proceedings of the International Symposium on the Italian Viola Da Gamba ; Magnano, Italy, 29 April - 1 May 2000 Susan Orlando. ably to a tenor or soprano viol or a division viol of typically English construction (purfling and intarsias on the ...
4
Concept and Study for the Viola: The Lobko Method - Pagina 11
In fitting a viola to the student, the overall length of the viola should not exceed the length of the student's arm from the shoulder to the wrist. The viola should be laid from the student's neck along a straight arm. The scroll of the viola should end ...
5
A Bibliographical Guide to Spanish Music for the Violin ... - Pagina 18
VIOLA The vast majority of viola works do not see print, a situation exacerbated in Spain by the lack of widespread effective publication and diffusion systems. Although works of former eastern block countries and Latin America appear in lists ...
6
The Music for Viola Bastarda - Pagina 18
The scarcity of information on the subject would seem to indicate that sixteenth- and seventeenth-century writers considered the size and tuning of the viola bastarda either unimportant or, in some way, too obvious to mention. If the viola ...
Jason Paras, George Houle, Glenna Houle, 1986
7
The Early Violin and Viola: A Practical Guide - Pagina 177
It could thus refer to almost any variety of early violin or viola. However, the term Viola' was also associated with a number of instruments which were not violas at all: viola da gamba was the Italian term for the viol; viola bas- tarda referred to a ...
8
The Viola D'amore - Pagina 84
Corras, A Methode de viola d'amour. Maurice Senart (Paris) 1924. I can only record the existence of this - it has not been possible for me to examine it to date. Dolejsi, Robert Modern Viola Technique. Chicago 1939. This is a viola instruction ...
9
Ensembles for Viola - Pagina 2
This book is a viola transcription of DUETS FOR VIOLINS. In addition to parts for viola melody and viola harmony, parts for violin melody and viola harmony have been included to accommodate programs with few viola students and school ...
Elizabeth Stuen-Walker, 2000
10
Playing the Viola: Conversations with William Primrose - Pagina 209
Specifically, will we have again a viola soloist with an established career who makes his living as a virtuoso? Since you exited the stage as a concertizing violist about twenty years ago, there doesn't seem to be anyone who has emerged and ...
David Dalton, William Primrose, 1988
