«SELAMPIT»に関連するマレー語の本
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1
Drama Melayu moden - Halaman 210
yang terdapat dalam drama ini, iaitu Tuk Selampit bukan seorang penglipur lara tetapi seorang pemain gasing yang digeruni kerana ilmu batin yang ada padanya. Tuk Selampit adalah seorang yang amat kuat pegangannya kepada ...
Abdul Rahman Hanafiah,
1995
2
Hikayat Terung Pipit - Halaman 6
Maka titah Raja Sulung Jawa suruh panggil Selampit itu hendak ditanya periksa. Maka Selampit Syahbandar Raja Kuala pun takut tiada berani naik mengadap Raja Sulung Jawa Lindung Bulan Kedah Tua itu. Maka dua tiga kali dipanggil ...
Ali Mudin bin Panglima Hasan (Panglima.),
1985
3
KETIKA LANGIT SEDANG TIDUR: - Halaman 44
Selampit hayatnya digesek maut nyanyi sedih bergetar menamatkan hidup. Alam kesenimannya tertutup dia pun berangkat di bawah langit yang redup. Dulu, dia mempertalikan nasib seni dengan cerita penglipur lara bernada tradisi.
4
The Garland Handbook of Southeast Asian Music - Halaman 232
Regional genres were known by specific names, derived from the main (or root) story, or from a hero in the most popular story of the genre. In the northwest states, the genres werejubang linggang, selampit, and awang batil (also awang ...
Terry Miller, Sean Williams,
2011
5
The Encyclopedia of Malaysia: Performing arts - Halaman 17
Selampit The art of Selampit is traditionally handed down from teacher to pupil. There are indications that in some instances there may be some form of supernatural summons, sometimes through a dream, to the calling of a Selampit performer ...
Ghulam-Sarwar Yousof,
2004
6
Asian Perspectives on the World's Religions after ...
These are awang batil, selampit, and tarik selampit. In the past, awang batil featured an inverted clay pot (belanga) as an instrument, as indicated by its older name, awang belanga. The clay pot was at some point in time replaced with a brass ...
Arvind Sharma, Madhu Khanna,
2013
7
Traditional Storytelling Today: An International Sourcebook
For example, they found that storytelling had manifested itself in different tradi~ tions in different communities. In Kelantan, the institutionalized storytelling is found among the blind storyteller called Awang Selampit or Tok Selampit, who intones ...
Margaret Read MacDonald,
2013
8
Upacara: sebuah novel - Halaman 71
Tujuh tanah lapang, kerbau-kerbau tak berantukan kala dilepas, selampit-selampit diikat di leher mereka. Berjarak tali-tali selampit. Tempelaq selesai diukir. Ukirannya halus, relief-relief yang menggambarkan cinta kasih dan kehidupan abadi ...
Korrie Layun Rampan,
2007
9
Memoir: Seribu Riak di Pantai Usia - Halaman 153
Persatuan ini juga terlibat secara langsung mencungkil dan mempopularkan kembali kesenian-kesenian tradisional yang terdapat di negeri Perlis seperti Selampit, Awang Batil, Hadrah, Gendang Tarinai, Beduan, Alu Bunyi, dan Gendang ...
10
ISSUES IN TRADITIONAL MALAYSIAN CULTURE - Halaman 42
The proto-theatre forms are elementary ones which come from two principal sources: story-telling and ritual activity . In Malaysia, several of these are still performed . These include awang batil, selampit and tarik selampit . Performers use their ...
GHULAM-SARWAR YOUSOF,
2013