«KORDAIT»に関連するポーランド語の本
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1
Praktyczny słownik współczesnej polszczyzny - Tom 10 - Strona 310
korbowy kordait du. Połączenia: a Korbowód boczny 'korbo- wód o niedzielonym łbie, połączony za pomocą sworznia z łbem korbowodu głównego, stosowany w silnikach wielorzędowych i gwiazdowych'. a Korbowód główny 'korbowód ...
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Alexander Korda - Strona 124
The last of the seven was 'Cash', directed by Zoltan Korda. It was one of the first 'crazy comedies', starring Edmund Gwenn with Wendy Barrie and Robert Donat; the script was by Anthony Gibbs and Arthur Wimperis. Though all these pictures ...
3
Embattled Shadows: A History of Canadian Cinema, 1895-1939
Alfred Hitchcock and Alexander Korda. It took a revision of the act and the impact of the Second World War to change this situation. 2 1. Some examples of companies which sprang up in the late Twenties and early Thirties but which never ...
4
This is Namibia - Strona 118
... and the death wish of David in The Key, although the last two are strictly speaking American productions. Although Outcast was a project of Korda's, it obviously appealed to Reed since it enabled him to explore familiar territory: foreign.
Gerald S. Cubitt, Peter Joyce, 2000
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Hitchcock and the Methods of Suspense - Strona 113
The producer of that film was the same one who gave Rozsa his break, fellow Hungarian Alexander Korda. It was marked by the haunting zither music of Anton Karas. In that ¡949 film, director Carol Reed was willing to take an innovative risk ...
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Selling Hollywood to the World: U.S. and European ... - Strona 159
... often attributed to Korda: "IT'S NOT ENOUGH TO BE HUNG ARI AN; YOU HAVE TO HAVE TALENT TOO. "4J Basil Wright of the GPO unit likened the post-Henry VIII surge of investment and the crisis of 1937 to the South Sea Bubble of 1720.
Produced and directed by Korda, it won its leading actor, Charles Laughton, an Oscar, and was also nominated for best picture. Over the coming years, Korda, either as producer, director or executive producer, instigated a brilliant programme ...
8
Re-Viewing British Cinema, 1900-1992: Essays and Interviews
And they did wonderful films, but they were slightly broader films than Korda's. It was a much larger organization, and it certainly didn't have the family feel. And of course wide screen started, and CinemaScope. We all went through all kinds of ...
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Just One Catch: A Biography of Joseph Heller - Strona 213
Within the hallways of Simon & Schuster, an “aura of myth hovered around the book,” said Michael Korda. It was a literary Manhattan Project. “[N]obody but Gottlieb and his acolytes had read it. He had shrewdly stage-managed a sense of ...
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Post-Theory: Reconstructing Film Studies - Strona 421
... prestige meant adaptations of Pulitzer Prize winners (Street Scene [1931]) or novels written by Nobel laureates (Arrowsmith [1932]); for Korda, it meant historical biopics ( The Private Life of Henry VIII [1933] and Catherine the Great [1934]); ...
David Bordwell, Noel Carroll, 2012
