COCOLÓȘ SÖZCÜĞÜ ROMENCE DİLİNDE NE ANLAMA GELİR?
Romence sözlükte «cocolóș» sözcüğünün
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Romence sözlükte cocolóș sözcüğünün tanımı
COCOLOUS n. 1) Çok büyük küresel malzeme parçası değil; top; Ciuculete. ~ kağıt. ~ kil 2) Yemekte pişmemiş bırakılan un veya buğday tozu; kase; Bulz. 3) koyun peynirinin konulduğu sıcak biber; Bulz. / Onoma. COCOLÓȘ ~oáșe n. 1) Bucată nu prea mare sferică dintr-un material; boț; ciuculete. ~ de hârtie. ~ de lut. 2) Bulgăre de făină sau crupe, rămas nefiert într-o mâncare; bol; bulz. 3) Boț de mămăligă fierbinte în care s-a pus brânză de oi; bulz. /Onomat.
Romence sözlükte «cocolóș» sözcüğünün
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Tanımın Türkçe diline
otomatik çevirisini görmek için tıklayın.
ROMENCE DİLİNDE «COCOLÓȘ» SÖZCÜĞÜNÜN EŞANLAMLILARI
Aşağıdaki Romence sözcükler, «cocolóș» ile aynı ya da benzer anlamlara sahiptir ve aynı dilbilgisi kategorisindedir.
cocolóș sözcüğünün Romence eşanlamlıları
«COCOLÓȘ» İLE İLİŞKİLİ ROMENCE KİTAPLAR
cocolóș sözcüğünün kullanımını aşağıdaki kaynakça seçkisinde keşfedin.
cocolóș ile ilişkili kitaplar ve Romence edebiyattaki kullanımı ile ilgili bağlam sağlaması için küçük metinler.
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Culture and Customs of the Dominican Republic - Pagina 54
Cocolos Cocolos is the generic and denigrating term used to describe all immigrants to the Dominican Republic from the surrounding English-speaking and Dutch-speaking Antilles. The cocolo men were artisans while the cocolo women ...
Isabel Zakrzewski Brown, 1999
2
The Eastern Stars: How Baseball Changed the Dominican Town ...
In San Pedro they called the migrant workers cocolos. There is great debate on the origin and meaning of the word and whether or not it is pejorative. Regardless of its original tone and meaning, today in San Pedro, descendants of Eastern ...
3
Nation and Citizen in the Dominican Republic, 1880-1916 - Pagina 88
5,000 cocolos in sugar mills 4,885 wage workers in sugar mills sources: Revista de Agricultura (1913): 519–20, 522; José del Castillo, ''Las inmigraciones y su aporte a la cultura dominicana (finales del siglo XIX y principios del XX),'' in ...
Teresita Martínez-Vergne, 2006
4
Bloomsbury Encyclopedia of Popular Music of the World, ... - Pagina 844
It ceased to be performed in the late 1950s, but in the early twenty-first century was revived by cocolo masqueraders. Guloya has the largest cast of characters of the three dance dramas (up to 27), and is performed traditionally on Christmas ...
John Shepherd, David Horn, 2014
5
The Marcus Garvey and Universal Negro Improvement ... - Pagina cci
Cocolos formed communities in the new wards of Moño Corto and Miramar in San Pedro de Macorís, and in the mill yards (bateyes) and cane fields (colonias) of the seven sugar companies on the periphery of the city.5 On the other hand, ...
Robert A. Hill, Marcus Garvey, John Dixon, 2011
6
Out of the Shadows: African American Baseball from the ... - Pagina 57
Dominicansbegancalling them“Cocolos,”amispronunciation of theBritishVirgin Island,Tortola, where many were from. Calling someone a “Cocolo” was meant as an insult and often led to a fight. But this epithet would eventually become a term ...
7
Coloring the Nation: Race and Ethnicity in the Dominican ... - Pagina 24
The cocolos/as were black migrant workers who were contracted largely from the British territories of St Kitts, Nevis and Anguilla to work on sugar plantations between the 1880s and 1920s. They faced high levels of discrimination from ...
8
Peripheral Migrants: Haitians and Dominican Republic Sugar ...
Growers enjoyed a measure of control over West Indian labor denied them with Dominican semiproletarians. Unlike Dominicans, the cocolos were rarely immediately capable of retreating from the sugar estates into other forms of employment.
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Diamonds Around the Globe: The Encyclopedia of ... - Pagina 163
While not all of these settlers were from British outposts (many hailed from French, Danish, and Dutch colonies), the Cocolos soon dropped their separate identities and began referring to themselves simply as the English. Their black skin ...
10
Merengue: - Pagina 110
Afro-Dominican ritual drumming held particular interest for Guerra; while he did not use it in his arrangements, he referred to it in lyrics. His song "Guavaberry" speaks of the regional customs of cocolos, the Dominicans of Anglophone ...
