CĂRȚI ÎN ROMÂNĂ ÎN LEGĂTURĂ CU «REBÁB»
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1
Das Lexikon Der Musikinstrumente - Pagina 56
`\V_ Afr.) ,Trommel'. Es dürfte sich hier um einen Zusammenhang mit bandol ón handeln, der bei der häufigen Namensverwandtschaft zwischen Trommeln und Saiteninstrumcnten nichts Auffallendes hätte. Boog, ndl. ,Bogen'. Booga = Rebâb.
2
West Malaysia and Singapore - Pagina 127
Mak Yong's music consists mainly of solo singing, accompanied by the rebab. The songs are divided into themes such as love, sadness, travel and lullabyes. The Mak Yong's repertoire of stories focuses mainly on palace intrigues and ...
3
PANGGUNG SEMAR: ASPECTS OF TRADITIONAL MALAY THEATRE
MENGHADAP REBAB (salutation to the rebab) constitutes one of the most important and impressive elements in the Kelantanese Mak Yong dancetheatre performances. It takes place immediately upon the completion of the ritual consecration ...
Ghulam-Sarwar Yousof,
2015
4
Knowing Music, Making Music: Javanese Gamelan and the ...
According to Martopangrawit, the dbalang always followed the rebab player's lead in colonial times,- a court dbalang was lower in rank than the rebab player and only asked (minta) for a particular patbetan after which the rebab player took the ...
5
Unplayed Melodies: Javanese Gamelan and the Genesis of ...
Once the gendhing has begun, the rebab's decision-making powers do not evaporate. For example, the rebab decides when to play the high-register (ngelik) section of a gendhing. Again, when more than one version of a gendhing is current ...
6
Play the World: The 101 World Instrument Primer - Pagina 24
The Afghani rebab is a short-waisted, horned rebab with a goatskin top and a very deep body. Although there are a number of different sizes, all Afghani rebabs have three main strings, two to four drone strings and a number of sympathetic ...
7
Music in Java: Its history, Its Theory and Its Technique - Pagina 222
A rebab with a wooden neck is generally supposed not to sound so well as one with an ivory or ivory-and-bone neck. Finally, the body of the rebab is frequently clothed in a small velvet “coatee”, called jamangan or dodot and sometimes richly ...
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9
Focus: Gamelan Music of Indonesia - Pagina 136
Henry Spiller. The alternate tuning systems that rebab players and singers superimpose over salendro are differentiated by the intervals between their five principal pitches. While there are subtle differences between the intervals, they all can ...
10
Traditions of Gamelan Music in Java: Musical Pluralism and ...
Little is said about gender panerus and celempung playing. Most Javanese, at least, would not look to these instruments for stylistic differences between Yogya and Solo. Nor does the rebab figure prominently in the contrast today, since many ...