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マクロ分散 その中間部分は総体または脂肪[0]になります。 स्थूलमध्य वि० [सं०]
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1
Dharma - Sutras: - Page 250
... syad brahma- vadhoddistam prayascittam varsikam ......... pancadasa-dhenavo datavyah sanmasika- prajapatya-vrata saktavapi/ Pv. 494-495 janan samvatsaram Pv. 158 tatah sthula-madhya-ksudranam trividhanam padarthanam prasahya ...
Sures Chandra Banerji, 1962
2
The Technique of Pahari Painting: An Inquiry Into Aspects ... - Page 43
The Manasollasa and Silparatna divide each colour into three broad different shades and enjoin the use of three different brushes for each shade of a pigment. These three kinds of brushes are called the sthula, madhya and suksma. As such ...
Vishwa Chander Ohri, 2001
3
Royal Palace and Royal Arts - Page 123
This Kkhni is of three kinds — Sthula, Madhya and Suksma. The first is to be used in the applirati n of paint-plaster or ointmsnt (efT'Tff ', the second in the d awing out the outline (^<"T ) and the third in the finishing up the minutest of lins (*J^«lt ...
Dvijendra Nath Shukla, 1967
4
Technique of Indian Painting: A Study Chiefly Made on the ... - Page 51
Carrying on the tradition of the Manasollasa, the Silparatna'1 6 mentions three types of brush, viz., sthula, madhya and suksma, and furnishes further details on the sources of hairs used in preparing them. According to the texts hairs should be ...
Asok K. Bhattacharya, 1976
5
Śiva-kosha - Volume 1 - Page 117
And four varieties are distinguished here: the bottom portion being thick (sthula-mula), the top portion being thick (shula-sira or sthulagra), the middle portion being thick (sthula-madhya), and the middle portion being thin (madhya- krsa).
Saligrama Krishna Ramachandra Rao, Kalpatharu Research Academy, 1998
6
Techniques in Indian Mural Painting - Page 71
One-eighth part of the front end (mukhe pucche) 248 vatsakarrfa mmudbhuta romanydddya yatnatah | tCdikdgre nyasettani laksabandhanaijogatah || lekhani nama sa prokta sa caivam trividhd bhavet j sthula madhya tathd suksmd tayd citram ...
Jayanta Chakrabarti, 1980
7
Religionsgeschichtliche Versuche und Vorarbeiten
Säyana zu Sat. Brahm. aaO. : kuvala-karkandhu-badaräni suksmatara- sthula-madhya-parimänäni badara-jati-phalani; vgl. Eggeling, Sacred books of the East 41. 131 Note 1), aus dem Speichel der drei Köpfe des sterbenden Viávarüpa sich ...
Otto Berthold, Julius von Negelein, 1911
